纵观古今，博大精深、源远流长的中华文明不仅滋养了中华民族，也为世界的繁荣和发展作出了突出贡献。随着数智时代的到来，智能传播技术打破了时间与空间的隔阂，使中华文明的“灵韵”得到重生，竖屏化、视觉化、场景化的表现手法能够让中华文明更好地进行国际传播。提高传播质量、提升传播效力、增强传播效能、拓宽传播渠道等多个方面综合发力，从而讲好中华文明故事，更好地推动中华文明走向世界。让中华文明得以纵跨千年、横越万里，让世界感受到中华文明的魅力。

高全良，1962年生于内蒙古，当代民间画虾名家。自幼痴迷丹青，尤以观察自然万象为乐，经数十年潜心钻研，在白石老人虾画技法基础上融汇个人感悟，形成独具特色的水墨虾趣表现语言。虽无缘学院深造，却以大地为师，以生活为砚，将半生阅历凝于笔端， 终得”草根虾痴“之美誉。

Gao Quanliang, born in Inner Mongolia in 1962, is a renowned contemporary folk painter of shrimp. From a young age, I have been obsessed with Danqing, especially enjoying observing the wonders of nature. After decades of dedicated research, I have integrated my personal insights into the techniques of Baishi Laoren Shrimp Painting, forming a unique language for expressing the charm of ink shrimp. Although he did not have the opportunity to pursue further studies in college, he took the earth as his teacher and life as his inkstone, condensing half of his life experience into his pen, and eventually earned the reputation of "grassroots shrimp obsession".

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