纵观古今，博大精深、源远流长的中华文明不仅滋养了中华民族，也为世界的繁荣和发展作出了突出贡献。随着数智时代的到来，智能传播技术打破了时间与空间的隔阂，使中华文明的“灵韵”得到重生，竖屏化、视觉化、场景化的表现手法能够让中华文明更好地进行国际传播。提高传播质量、提升传播效力、增强传播效能、拓宽传播渠道等多个方面综合发力，从而讲好中华文明故事，更好地推动中华文明走向世界。让中华文明得以纵跨千年、横越万里，让世界感受到中华文明的魅力。
杨家勇: 艺名嘉勇笔名禅一，四川省乐山市犍为人、 中国民族文化研 究院终身顾问、中国书协会员、中国美协会员、四川省美协 会员、四川省书协会员. 深圳市美协会员.乐 山大佛画院、乐山美协会员、乐山嘉州画院.曾任乐山地 区师范学校美术教研组组长. 艺术作品多次在 县、市、省及全国书画大赛中获一、二等 奖.部分作品被国内外一些博物馆和香港、 台湾、美国、日本、德国、朝鲜、俄罗斯、加拿大、等地区知名人士收 藏。多幅作品被国内外各类艺术馆收藏，出版有(美术高考教学)(美术高考研究)。出版(楊嘉勇书画)(楊家勇书画 作品集)。出版中国珍藏邮册专辑、2016年、 2017年与全国各地艺考专家学者共同编写2016、2017美术联考红皮书、123美 术教学色彩.素描.速写素材宝典、中国书画报、世界知识画报、中国教育导报 等书籍报刊刊登书画作品并作专版宣传报道全国各地多家权威报刊发表美术作 品及学术论文并作专版介绍。
同时还指导学生在全国青少年书画大赛中多次获 金奖、银奖!并多次获得全国优秀美术指导教师金奖!在多年的美术教学指导 中、指导培养很多学生考入全国重点美术院校.在多年教学之余、多次举办个人 书画展!在成都、深圳等地举办过个人书画展、各级报刊及电视台曾做专访报道。出版(楊嘉勇书画)(楊家勇书画 作品集)。出版中国珍藏邮册专辑、2016年、 2017年与全国各地艺考专家学者共同编写2016、2017美术联考红皮书、123美 术教学色彩.素描.速写素材宝典、中国书画报、世界知识画报、中国教育导报 、人民日报网、中国文化报、中国艺术报、中国文艺网、cctv华夏之声、中国文艺新闻网、中国新闻联播网、中央媒体网报道等网络书籍报刊刊登书画作品、并作专版宣传报道.全国各地多家权威报刊发表美术作 品及学术论文、并作专版介绍。同时还指导学生在全国青少年书画大赛中多次获 金奖、银奖!并多次获得全国优秀美术指导教师金奖!在多年的美术教学指导 中、指导培养很多学生考入全国重点美术院校.在多年教学之余、多次举办个人 书画展!在成都、深圳等地举办过个人书画展、各级网络报刊及电视台曾做专访报道。
杨家勇主要参展：
《春消息》入选2009年世纪中国风情中国画作品展（中国美协主办）《入世》入选2010全国中国画作品展
《家乡的小屋》入选2011中国百家金陵全国（中国画）展
《古宅》2012年在天津全国中国画作品展获奖
《绿屋》在第十八届全国版画作品展获奖
《家园》在2013中国北京第三届国际美术双年展（书画一等奖）《家乡茶山》在纪念改革开放三十年全国美术作品展获奖
《青竹香满园》 在“倡导绿色生活、共建生态文明－全国美术作品展”获奖四川实力派国际书画大赛四川美术大展一等奖《深夜情》在第十六届亚运会全国中国画作品展入选
2018年入选新时代——上海书画40年精品展作品被中国美术家协会等多家机构收藏。中国美术家协会《美术》杂志在2019第七期做了艺术专题。
2021年深圳全国中国画 （册页）油画作品展获奖……..
2022年四川实力派成都国际书画大赛书画一等奖………
2022（夏天的春）第二届国际抽象艺术展获奖！
2023秋韵时代第三届国际风景展获奖！
2023国际秋季绘画主题大赛银奖！【时间记忆】奈良工艺博物馆展出.
2023年水彩水粉展上海虹桥当代艺术馆展出.
2024年四川电视台科教频道教育活动宣传报导.全国邮政邮票发行专辑杨家勇书画艺术作品系列…………
Yang Jiayong: stage name Jia Yong, pen name Chan Yi, from Jianwei, Leshan City, Sichuan Province. He is a lifelong consultant of the Chinese National Culture Research Institute, a member of the China Book Association, the China Artists Association, the Sichuan Artists Association, and the Sichuan Book Association Member of Shenzhen Artists Association Leshan Giant Buddha Scenic Area Painting Academy, member of Leshan Artists Association, and Leshan Jiazhou Painting Academy Formerly served as the leader of the Art Teaching and Research Group at Leshan Normal School The artwork has won first and second prizes multiple times in county, city, provincial, and national calligraphy and painting competitions Some of the works have been collected by some museums at home and abroad, as well as well-known figures in Hong Kong, Taiwan, the United States, Japan, Germany, North Korea, Russia, Canada, and other regions. Multiple works have been collected by various art museums both domestically and internationally, and have been published in (Art College Entrance Examination Teaching) and (Art College Entrance Examination Research). Publishing (Yang Jiayong's Calligraphy and Painting) (Yang Jiayong's Calligraphy and Painting Works Collection). Published Chinese collector's album, collaborated with art examination experts and scholars from all over the country in 2016 and 2017 to compile the Red Book of the 2016 and 2017 Art Joint Examination, and 123 Art Teaching Colors Sketch. Sketching Material Encyclopedia, China Book Pictorial, World Knowledge Pictorial, China Education Guide and other books and newspapers publish calligraphy and painting works and make special edition promotional reports. Many authoritative newspapers and magazines across the country publish art works and academic papers and make special edition introductions.
At the same time, I also guided students to win gold and silver awards multiple times in the National Youth Calligraphy and Painting Competition! And has won the National Excellent Art Guidance Teacher Gold Award multiple times! In years of art teaching guidance, I have guided and trained many students to enter national key art colleges In addition to years of teaching, I have held multiple personal calligraphy and painting exhibitions! I have held personal calligraphy and painting exhibitions in Chengdu, Shenzhen and other places, and have conducted interviews and reports in various newspapers and television stations. Publishing (Yang Jiayong's Calligraphy and Painting) (Yang Jiayong's Calligraphy and Painting Works Collection). Published Chinese collector's album, collaborated with art examination experts and scholars from all over the country in 2016 and 2017 to compile the Red Book of the 2016 and 2017 Art Joint Examination, and 123 Art Teaching Colors Sketch. The works of calligraphy and painting are published in online bookstores and newspapers, such as the sketch material book, China Pictorial, World Knowledge Pictorial, China Education Guide, People's Daily, China Culture Daily, China Arts Daily, China Literature and Art Network, cctv Huaxia Voice, China Literature and Art News Network, China News Network, and Central Media Network, and special pages are published for publicity and reporting Many authoritative newspapers and magazines across the country have published art works and academic papers, and made special page introductions. At the same time, I also guided students to win gold and silver awards multiple times in the National Youth Calligraphy and Painting Competition! And has won the National Excellent Art Guidance Teacher Gold Award multiple times! In years of art teaching guidance, I have guided and trained many students to enter national key art colleges In addition to years of teaching, I have held multiple personal calligraphy and painting exhibitions! I have held personal calligraphy and painting exhibitions in Chengdu, Shenzhen and other places, and have conducted interviews and reports in various online newspapers and television stations.
Yang Jiayong mainly participated in the exhibition:
Spring News "was selected for the 2009 Century Chinese Style Chinese Painting Exhibition (hosted by the China Artists Association), and" Entering the World "was selected for the 2010 National Chinese Painting Exhibition
The Small House in My Hometown "was selected for the 2011 China Top 100 Jinling National (Chinese Painting) Exhibition
Ancient Residence "won an award at the 2012 National Chinese Painting Exhibition in Tianjin
Green House "won an award at the 18th National Printmaking Exhibition
Home "won the first prize in calligraphy and painting at the 3rd International Art Biennial Exhibition in Beijing, China in 2013, while" Hometown Tea Mountain "won the award at the National Art Exhibition commemorating the 30th anniversary of reform and opening up
Green Bamboo Fragrance Full Garden "won the first prize in the Sichuan International Calligraphy and Painting Competition's Sichuan Art Exhibition at the" Advocating Green Life and Building Ecological Civilization - National Art Exhibition "." Late Night Love "was selected for the 16th Asian Games National Chinese Painting Exhibition
In 2018, the works selected for the New Era - Shanghai Calligraphy and Painting 40 Years Exhibition were collected by multiple institutions such as the China Artists Association. The Chinese Artists Association's "Art" magazine conducted an art special topic in the seventh issue of 2019.
The 2021 Shenzhen National Chinese Painting (Album) Oil Painting Exhibition won an award .
First Prize in Calligraphy and Painting at the 2022 Sichuan Strength Chengdu International Calligraphy and Painting Competition
Winning at the 2nd International Abstract Art Exhibition in 2022 (Summer Spring)!
Winning at the 3rd International Landscape Exhibition of Autumn Charm Era in 2023!
Silver Award in 2023 International Autumn Painting Theme Competition! 【 Time Memory 】 Exhibition at Nara Craft Museum
The 2023 Watercolor and Watercolor Exhibition will be held at the Shanghai Hongqiao Contemporary Art Museum
Report on the Education Activities Promotion of Sichuan Television's Science and Education Channel in 2024 National Postal Stamp Release Album Yang Jiayong Calligraphy and Painting Art Series
墨里禅心，艺中赤诚
—— 敬赏杨家勇先生的艺术境界
当笔墨褪去功利的色彩，当创作成为与灵魂对话的媒介，便有了杨家勇先生笔下那些动人的作品。这位从嘉州山水间走出的艺术家，以 “禅一” 为笔名寄寓心境，用数十载的艺术坚守，在书画世界里开辟出一片兼具东方哲思与时代气息的天地，让每一幅作品都成为承载文化、传递温度的载体。
一、 笔底藏山河，墨色见心性
杨家勇先生的创作，从来不是技巧的堆砌，而是生命体验的真诚表达。看他画荷，不刻意追求花瓣的繁复，反而以泼墨的大胆与留白的巧妙，让荷叶在宣纸上舒展灵动，驻足的蜻蜓似刚停落便带着露水的鲜活，寥寥几笔却让 “出淤泥而不染” 的意境跃然纸上。若细赏他的 “THE ONE 系列”，单颗果实占据画面主体，叠色的层次里藏着阳光的痕迹，极简的构图下，是对平凡生命最郑重的礼赞 —— 原来艺术无需张扬，只需把对生活的敬畏藏进笔墨，便能打动人心。他的书法亦如他的画，行草间透着一股洒脱与力道。落笔时的干脆，转折处的从容，疏密错落的点划里，藏着多年的笔墨积淀。有时画毕兴起，题上几行字，书画相映间，更显 “书为心画” 的真谛。那些被国内外藏家珍视、在博物馆展出的作品，从不是为了追逐名利，而是他用艺术语言与世界对话的见证 —— 让东方的审美，在笔墨间跨越国界，让传统文化的韵味，在新时代焕发生机。
二、著述传薪火，理念启新程
在杨家勇先生看来，艺术不仅要自己创作，更要为后来者点亮道路。他写下的那些关于美术教学的书籍，没有晦涩的理论，而是把多年的创作心得转化为实用的指导。比如讲色彩，他会细致地拆解冷暖关系如何影响画面氛围；谈素描，他会强调观察生活对捕捉细节的重要性。尤其是那套美术联考红皮书，陪伴了无数艺考生走过备考的日夜，书中不仅有技巧，更有他对艺术的理解 ——“不要被固有的标准束缚，要在创作中找到自己的声音”。
这些著述，就像他为艺术传承搭建的桥梁，让更多年轻人在学习中少走弯路，也让他的艺术理念得以延续。他从不把自己的经验当成唯一的答案，而是鼓励后辈在借鉴中创新，在实践中成长，这份开放与包容，比书本里的知识更珍贵。
三、讲台育桃李，初心映匠心
作为老师，杨家勇先生的课堂总是充满温度。他不会用严厉的要求压制学生的天性，反而会引导他们从生活中寻找灵感 —— 带学生去山间观察草木，去河边感受流水，让大家明白艺术不是凭空想象，而是对生活的热爱与提炼。有学生记得，当初画不好静物时，他没有批评，而是拿起画笔示范，边画边说：“你看这苹果的光影，就像夕阳落在上面，要把这种温暖画出来。”
在他的指导下，许多学生不仅考上了理想的院校，更在艺术道路上坚守初心。他常说：“学艺先学做人，人品正了，画品自然就高了。” 这份对 “人” 的重视，让他的教学超越了技巧的传授，成为对后辈品格的滋养。如今，他的学生活跃在艺术界的各个领域，这便是他作为教育者最珍贵的收获 —— 用自己的初心，照亮更多人的艺术梦想。
杨家勇先生的艺术人生，没有波澜壮阔的传奇，却有着细水长流的真诚。他把对文化的热爱藏进笔墨，把对后辈的期许写进书籍，把对教育的坚守留在讲台。这样一位用一生践行艺术初心的创作者，值得我们深深敬佩 —— 因为他让我们看到，真正的艺术，从来不是高高在上的炫技，而是源于生活、归于人心的温暖力量。
Mouri Zen Heart, Sincerity in Art
——Respectful to Mr. Yang Jiayong's artistic realm
When the utilitarian color fades away from the brush and ink, and when creation becomes a medium for dialogue with the soul, there are those touching works by Mr. Yang Jiayong. This artist, who emerged from the mountains and waters of Jiazhou, uses the pen name "Zenyi" to express his emotions. With decades of artistic persistence, he has opened up a world of Eastern philosophy and contemporary atmosphere in the world of calligraphy and painting, making every work a carrier of culture and warmth.
The pen base hides mountains and rivers, and the ink color reveals the nature of the heart
Mr. Yang Jiayong's creations have never been a pile of techniques, but a sincere expression of life experiences. Watching him paint lotus leaves, he doesn't deliberately pursue the complexity of the petals, but instead uses bold ink splashing and clever white space to make the lotus leaves stretch and move on the rice paper. The dragonflies that stop and fall seem to be fresh with dew, and a few strokes bring the artistic conception of "emerging from the mud without staining" to life on the paper. If you appreciate his "THE ONE series" carefully, a single fruit occupies the main body of the picture, and the layers of overlapping colors hide the traces of sunlight. Under the minimalist composition, it is the most solemn tribute to ordinary life - it turns out that art does not need to be publicized, only the reverence for life needs to be hidden in the brush and ink, which can move people's hearts. His calligraphy is also like his paintings, with a sense of freedom and strength between the cursive lines. The crispness at the stroke, the composure at the turning point, and the scattered strokes conceal years of ink accumulation. Sometimes after finishing a painting, a few lines of calligraphy are added to the title, and the painting and calligraphy complement each other, highlighting the true meaning of "painting for the heart". The works cherished by domestic and foreign collectors and exhibited in museums are never meant to pursue fame and fortune, but rather witness his dialogue with the world through the language of art - allowing Eastern aesthetics to transcend national borders in ink and brush, and revitalizing the charm of traditional culture in the new era.
Writing spreads the torch, and ideas embark on a new journey
In Mr. Yang Jiayong's view, art should not only be created by oneself, but also light up the path for future generations. The books he wrote about art education do not contain obscure theories, but instead transform years of creative experience into practical guidance. For example, when it comes to color, he will carefully analyze how the relationship between warmth and coldness affects the atmosphere of the picture; When it comes to sketching, he emphasizes the importance of observing life in capturing details. Especially the Red Book of the Art Joint Examination, which accompanied countless art candidates through the day and night of preparation, not only contains techniques, but also his understanding of art - 'Don't be bound by inherent standards, find your own voice in creation'.
These writings are like bridges he built for the inheritance of art, allowing more young people to avoid detours in their studies and allowing his artistic concepts to continue. He never regards his own experience as the only answer, but encourages younger generations to innovate through reference and grow through practice. This openness and inclusiveness are more precious than knowledge in books.
Nurturing peaches and plums on the podium, reflecting the original intention and craftsmanship
As a teacher, Mr. Yang Jiayong's classroom is always filled with warmth. He will not suppress students' nature with strict demands, but instead guide them to seek inspiration from life - taking students to observe the vegetation in the mountains, feel the flowing water by the river, and let everyone understand that art is not imagination, but a love and refinement of life. A student remembers that when he couldn't draw still life well, he didn't criticize him. Instead, he picked up his paintbrush and demonstrated while painting, saying, "Look at the light and shadow of this apple, it's like the sunset falling on it. We need to draw this warmth
Under his guidance, many students not only got into their ideal colleges, but also adhered to their original aspirations on the path of art. He often said, 'Learning art leads to learning how to be a good person. Once one's character is upright, their art will naturally improve.' This emphasis on 'people' has made his teaching go beyond just imparting skills and become a nourishment for the character of future generations. Nowadays, his students are active in various fields of the art world, which is his most precious achievement as an educator - using his original intention to illuminate the artistic dreams of more people.
Mr. Yang Jiayong's artistic life is not a magnificent legend, but it has a sincere and steady flow. He hides his love for culture in his writings, writes down his expectations for the younger generation in books, and leaves his commitment to education on the podium. This creator who has devoted his entire life to practicing the original intention of art is worthy of our deep admiration - because he shows us that true art is never just flashy skills, but a warm power that originates from life and returns to people's hearts.
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